

Vintage Sosaku Kokeshi
Vintage Sosaku Kokeshi entitled: “Yuhi | Sunset” by Ishihara, Hideo
Ishihara, Hideo
Age:1960s
Descriptive qualities& condition:
Dimensions: 14-0”h
Ishihara-san’s painting background certainly stands out in this exceptional red-lacquered Kokeshi. Its simple cylinder-shaped body and spherical head are evocative of traditional Kokeshi. However, the unusual positioning of its face and the band encircling its torso, collectively place it in the category of Sosaku Kokeshi. Here the Kimono is ornamented with flowers incorporating low-relief carved dogwood blossoms accented in black, with a raised unornamented Obi, all in brilliantly rich red lacquer. The wood grain complements the three-dimensional aspects of the Kimono. The face has ‘one-stroke eyes’ (Hitofude-me) with a black “bob” hairstyle. The piece shows a beautiful script signature of the artist.
Condition: Excellent, original condition, with no fading or loss of color and consistent with age. The piece meets all the standards of collectible Folk Art.
Artisan | Woodworker: Ishihara, Hideo | 1925 - 1999
Origin:
Ishihara-san, a highly influential Sosaku Kokeshi artist, was born in Tokyo, and began his career by making Traditional Narugo dolls in 1957. His grandfather was the very famous artist Onuma Iwatao, of Narugo Onsen, Miyagi. After graduation from University, Ishihara-san was under medical care for more than ten years, during which time he studied painting. Upon recovering from his illness, he began making Sosaku Kokeshi, and in a ten- year period (1959-1969), he received more than 60 awards, including the highest honor, the Prime Minister’s Award.
Collector's note – descriptive qualities, standard characteristics & ornamentation styles:
Ishihara-san’s dolls are based on many motifs, both found in nature and in textile design. He loves portraying both young and old characters with differing hairstyles, (traditional and 1950s era). He illustrates numerous kimono styles in both painted form and carving, and utilizes simple graphic treatment to emphasize the strong character of his dolls, which bring out the true nature of the wood materials through manipulation of the turned and carved wood. His dolls are always finished in a simple wax coating. It is also not unusual to see him utilize sumi-e’ drawing of faces which have both the ‘one-stroke eye’, (Hitofude-me), as well as as a variation of traditional doll eye treatments.