Ryukyu Vermillion Lacquer Box with Lid
Japanese Ryukyu Shikki Vermillion Lacquer Sweetmeats Box with Lid
Descriptive qualities& condition:
Dimensions: &-0” Dia. x 3-0”d
This carved wood box is lacquered in a deep red tone and in olive, greenish black on the areas representing foliage. One portion of the vine is fashioned into a delicately carved handle making the lid more functional. The technique unique is called tsuikin where a pattern is cut from a pigmented lacquer sheet, which is then pasted on the item. Then the rest of the piece is carved and colored. Utilized in this box is a combined technique is called hananuri , which has a contrast between traditional vermillion lacquer and black lacquer, creating its vivid brilliance.
Vintage Condition: Excellent with unusually defined carving with an exceptional number of layers of lacquer giving depth to the finish. “As is”, and retains the original craft/workmanship and perfect marriage between the lid and bowl. Any discoloration, chipping/cracking, surface wear or structural damage noted.
NOTE: Ryukyu lacquerware called, (Ryukyu shikki in Japanese), is produced in Okinawa prefecture. Lacquerware techniques imported from China were well adapted to the lifestyle of the people during the development of Ryukyu lacquerware unique to Okinawa. The technology and artistry involved in this craft is praised not only in Japan, but also overseas. This style of lacquerware has a great diversity of decorating techniques. Tsuikin (lacquer overlay), a uniquely Okinawan decoration technique, is based on a Chinese style called tsuishu, (red lacquerware with raised designs), and gives pieces a three-dimensional appearance.
Okinawa is greatly blessed with climatic conditions that are ideal for the production of lacquer, as it is possible to collect high-quality raw materials like Indian coral tree, Japanese snowbell, and Okinawan banyan tree. Ryukyu lacquerware has set itself apart due to favorable conditions as a production area and the great efforts of its artisans.
Reviews & CommentsLeave a new review or comment →
– Marilyn Greenhouse
I am so glad I bought your book and visited your website! The Kokeshi Snow Coat that I purchased from you is wonderful!! She is my favorite!! I feel so lucky to have found you!!
– Terrie Cohen
– R. McIntyre
– Maria Kwong, Japanese American National Museum
I am sitting at my Apple on a dreary melbourne Sunday morning and my spirits have been lifted immensely. My well read copy of your beautiful book is placed beside me, and I am delighted to have added your sumptuous web site to my favorites. I have been collecting kokeshi for over 5 years and your book along with the tiny tome by Takeuchi and Stephens have been my constant companions. My collection of many hundreds surrounds me as I write; and now try to buy only the very best of the dento and sosaku with the developing knowledge I have. Each year at sakura time my husband and i visit Japan and wander the antique shops, print galleries and flee markets; this morning I have felt like I have been back amongst it all. We travelled to Japan straight after the Tsunami and were touched by our Japanese friend’s steely determination to assist their northern counterparts in whatever way possible…most inspiring. Thank you Michael and Robert for helping me further grow in my understanding of the land I love so dearly.
– Kirsten Albrecht
– Candace Strohm
– Sandra Shrubb
The Rice Merchant ivory okimono arrived in perfect condition as usual, Michael and Robert. It immediately becomes the centerpiece of our antique Japanese ivory collection. Visually and tactilely, it is a superb piece of art. We marveled at the detail in the grains of rice, the rice baskets, and his heavy coat. The carving of the hands and feet, the little bird hoping for a grain of rice to drop to the feet of the merchant, and the merchant’s happy face all contribute to the total effect. Then when we picked it up, we could feel the texture of the baskets, coat, and rice. Many thanks to you, Robert and Michael, for finding such beauty and art in a piece less than six inches tall. Thank you also for the history lesson on rice merchants, valuable background of the type you include with all purchases. Collecting items of this type has long been a goal of my wife and me. We wanted something from the Japanese culture to pass on to our children and grandchildren because they are quickly getting away from their background. We did not dare take a chance on acquiring these beautiful and valuable art pieces from just anyone. But one day we happened into Vermillion, your shop in Carmel. Both of us felt something good about you–trust. When we discovered a box with some beautiful netsuke, we, without hesitation, bought two of them, thus beginning our antique ivory collection. Through your assistance we have created a very good collection. We have every confidence in your judgment, expertise, and evaluation of Japanese folk art. We have never been disappointed.
In Japan, it seems, a topic’s popularity is commensurate with the number of books available at the bookstore about said topic. For instance, bookstores in this country are full of volumes on poetry, railroads, architecture, cooking, plants, bugs, hiking, mountains, and so forth. The fact that there are almost no books available on Kokeshi sadly reveals a general lack of interest in this wonderful craft. However, there are some available if one knows where to look. For books in English, there is only one that I am aware of: A relatively new book from the United States that’s still available entitled Kokeshi: Wooden Treasures of Japan by Michael Evans and Robert Wolf. I got mine new a few years ago and it’s been well worth it. For English-speaking enthusiasts this beautiful work is a must have, as it covers both traditional (dento) and creative (sosaku) kokeshi. I think it’s fair to say that this is “THE” foundational work on kokeshi in English, although there is definitely room for more detailed works in the future.
– John & Naoko
Thank you for the BEAUTIFUL kokeshi. We have been wanting a creative (sosaku) kokeshi made by Yukio Horigome, but until now have not been able to find one in good condition. His artwork and poems are wonderful and truly enhance his dolls. I really like what you have acquired here, and would love to see your entire collection after viewing your exhibition. Interesting that you specialized in “one-of-a-kind” sosaku dolls as opposed to the traditional dolls which are not as unique because of family restrictions. My staff and I really like the information you are sharing and the way in which you say it. You make it entertaining and truly educate the general public on the craft. I can’t wait to read more from you for we find so much incorrect information on other sites (particularly ebay). Most readers would not know this because they have not studied the subject or even visited Northern Japan. This is actually a wonderful web site and thank you again for the expedited service.
I recently purchased your book on Kokeshi and what a find after collecting for over 10 years with no information to base my purchases on. Now I have YOUR ILLUSTRATIVE BOOK and it has truly opened my eyes. All the associated stories and folk tales give such light to my collection. A curator at the Japanese American National Museum in LA told me about this great resource. Your book happens to be astonishingly precise although I can understand why someone else has not written a book on the subject, because all the artists producing Kokeshi remain obscure and little information available has not been translated. Your book truly did switch the light on for me personally as related to Japanese folk art.
– John G
We just received your new book, Sosaku Kokeshi: A New Look at an Old Tradition. Let us be the first to congratulate you on this superb follow-up to Kokeshi: Wooden Treasures of Japan. Your comprehensive text with its notes on the artists and the beautiful photography create a work that any collector of Kokeshi should have if they wish to develop an understanding of and knowledge about this Japanese folk art. We don’t know which is better (Does either have to be better?), the detailed textual information or the beautiful photographs. Both insist upon and rightfully demand spending time to enjoy and appreciate them. Thank you so much for adding to our appreciation of Kokeshi.
– Masakazu & Keiko Ota
Another great Kokeshi book edition. I was thrilled to see many of the Kokeshi in my collection in your book. I even found a few that I still had not been able to identify, it was nice to finally know the artisans behind my wonderful collection.
– M. Molina
Whether you are a kokeshi doll collector like I am, or exploring Japanese folk art for the first time, Sosaku Kokeshi – A New Look at an Old Tradition is a wonderful, informative resource for collectors and a lovely visual introduction to Sosaku dolls. I just purchased a copy of the book, and I could not be more pleased! With its beautiful colour photographs, signatures and profiles of the artists along with titles of the dolls, it is a well-researched, comprehensive resource. While some dolls featured in the book were familiar to me, I was also introduced to artists and dolls that I have never seen or heard of before. I was especially thrilled to discover the extensive Sosaku artist directory included at the back of the book. As a collector, Sosaku Kokeshi – A New Look at an Old Tradition and Kokeshi – Wooden Treasures of Japan have helped me to appreciate and understand my current doll collection on a whole new level. I first began collecting kokeshi in the mid 1980’s, when I bought three dolls from neighbours and long-time friends who were moving back to Japan. For a long time, I simply admired and enjoyed the dolls for their beauty without thinking any further. Years passed, and my collection grew a little more when I spent two years teaching and living in Japan. There was a turning point when I started to wonder, what is the story of each doll? Suddenly it wasn’t enough to just enjoy them; I wanted to understand them. These two books have helped me to learn so much more about kokeshi dolls, and influence my thoughts on the process of doll selection. My kokeshi collection has become more focused and personal now that I am able to recognize which dolls I am truly drawn to. Although there are many kokeshi that I may never personally own, each time I open the books, I get to experience them. In that way, these two books have become an extension of and just as much a part of my collection as the dolls that sit on my shelves.
– Karen W.
Thank you mingeiarts for sending me your recently published book on Creative Kokeshi. This is a wonderful collectors resource with loads of background and information. Last week I also received the kokeshi doll by Kobayashi that I ordered from your website. This wonderful doll now takes pride of place in our collection. As always your attention to detail and customer service is first rate.
As always, a carefully packed order arrived this morning. This Sosaku Kokeshi – Takeda, Nori Aki Kaze is a great doll. Her large attractive head and maple leaf pattern, along with the vibrant colour make this doll very intriguing. Another copy of your new book that I have ordered for my friend will be a great Christmas Present for him. Much appreciated. I have also enjoyed furthering my knowledge of Japanese Antiques and Collectibles through your website. The tour of Japan and the stunning images are marvellous. Looking forward to my next adventure with Mingei Arts.
“I came across this announcement on PBS/OPB and was quite curious about the subject and visited the exhibit:
“The art of Kokeshi doll making began in the Early 1800s, and flourished in the late 1950s, through the 60s as Creative (Sosaku) dolls. This period produced the greatest, most enduring and popular artists of the genre, with many craftsmen gaining international recognition, which has followed these prolific pioneers into the 21st Century. The late 1950s saw the movement go beyond the smaller, colorful bobble-head dolls so popular with westerners during the 1940s-early 50s, with the artists utilizing the various beautifully-grained woods available to wood workers, (kiji-shi), in many areas throughout Japan. While a number of these Sosaku Kokeshi makers trained under ‘Traditional’, (Dento), mentors/masters in the Tohoku region, (the birthplace of Kokeshi), their dolls show exciting imagination, as many of the artists came from a variety of artistic backgrounds including painting and photography. This allowed for immediate acceptance by the public, for the dolls were considered unique works of art. The dolls are larger and more elegant, and in many cases, the different woods comprised the clothing and hair treatments, with the incorporation of different methods of carving and painting techniques. Today, Sosaku Kokeshi dolls are more popular than ever, supporting the transnational and transmedia movement of Anime and toy design seen throughout the world”. What an exceptional and inspiring exhibition. You’ve made my day! Thx again!”
WONDERFUL exposition. The Sosaku Kokeshi of artist-made wooden dolls and toys is exceptional. We found the pieces and the research associated with the various craftsmen extremely helpful. Josephine Bridges article on “Dignified dolls,” in the Asian Reporter was a great compliment to the exhibit and this extensive collection. We’ve only seen the traditional kokeshi and had no idea that Japanese Creative artisans made such individual artistic pieces. The artwork on each doll is literally like a unique painting historically recording the Japanese culture. Thank you for your fine work and this educational experience.
In this grand scheme of things you’ll get an “A” with regard to your research and associated folk art. The Shiwan ware I recently purchased is one of the most beautiful pieces I have purchased in over 10 years. The information you provided was excellent, the piece is in mint condition as advertised, with a subject matter I did not have in my collection. In all the years I have been traveling to China this was a treasure to find. Should you ever find a book in English on the subject of Shiwan history, lore and legend please contact me for we would love to have a reference in Chaminade’s design library. There are only a few books in China, always in Chinese, and unaffordable.
We are not passionate collectors of Kokeshi; we are collectors with some passion. We are not long-time collectors of these wooden dolls; we are collectors who hope to be collecting for some time and when finished, hope to pass on this love to our granddaughters. Actually, we started collecting Kokeshi only a short time ago with the expert guidance of Michael and Robert. Beginning with a goal of three or four dolls for each of our granddaughters, we almost immediately changed our goal after we purchased the first one and fell irresistibly in love with this Japanese folk art. We have amassed a small collection that we display proudly. In spite of our limited background and only a little research to support our evaluation, Sosaku Kokeshi: A New Look at an Old Tradition is a magnificent work on the subject of these wooden dolls which make up a segment of the folk arts of Japan. The detailed background materials on the artists and the notes on the dolls can be an invaluable part of one’s collection. The marvelous photography is an excellent complement to the text, as we re-viewed the images many times, envying the owner of each doll. In summary, collectors of Kokeshi who wish to expand their knowledge on this subject would do well to add Sosaku Kokeshi as well as its predecessor, Kokeshi: Wooden Treasures of Japan, both rare on this subject, to their collection of dolls.
Hi, Mingeiarts! Just want to say MAHALO — love my new jewelry box!! Yes, you read that right: I wanted this tobacco box to hold my modest collection of jewelry! I tend to march to the beat of a different drummer most of the time, and I often repurpose items. When I saw this lovely Japanese box you were selling, I thought “bingo!” — perfect!! So, many thanks… and I hope to occasionally purchase an item now and then now that I know about you! Kristi
I received your delightful Kokeshi book, and I am very grateful to have discovered this beautiful publication. I love the artistic publishing format and the washi paper. The photographs are singular elegant portraits. It is wonderful you have included the calligraphy kanji signature of the craftsman, as important as the beautiful painted dolls. Kokeshi: Wooden Treasures of Japan is a reference that gives provenance to my small treasured collection and a guide in my search for more. Exciting to also discover a few of mine already in your book. Many thanks again for gifting this special kokeshi edition and I hope to continue to share the joy.