Japanese Embossed Woodblock
Reika Iwami | Monochrome and Embossed Woodblock Print Entitled: Tune of Water T | Reika Iwami 岩見禮花 いわみれいか - 1927-2020
Age:Shōwa period 1971
Descriptive qualities& condition:
Dimensions: Image - 10-3/4”w x 16-0”h; Sheet - 13-1/2”w x 20”h
Offered is a monochrome woodblock print with embossing and gold foil, black pigment, mica, on medium thick, slightly textured cream-colored paper.
Edition: 35/50, graphite, lower left
Inscriptions & Markings (English & Japanese): Tune of Water “T”, lower left, graphite & Chūn'obuu~ōtā T, graphite, center
Signature / Date: Reika Iwami ’71, graphite, lower right
Sited in: The Modern Japanese Print-An Appreciation by James Michener, and Catalogue of the Exhibition of the 49th CWAJ Print Show of Japanese Contemporary Print, the College of Women’s Association of Japan, 2004. It was not until 1962, when James Michener included her work in his seminal book The Modern Japanese Print-An Appreciation, which included, in its original limited edition form, a portfolio of ten original prints, that she gained worldwide notice. Iwami's distinctive artworks are in the collections of major museums in the world, such as the National Museum of Art in Osaka, the Museum of Modern Art in New York, the Library of Congress, Rockefeller Foundation. "Tune of Water T" has only been seen in the Japanese Modern Print Collection at The LA County Museum (LACMA) and listed in the Lavenberg Collection of Japanese Prints, Freistaat Bayern.
This rare print is one of a series with the same title but with an alphabetical identification after the title to further identify pieces in the series. We have yet to see this specific series on the market. It is an abstract creation, but reference natural elements and emphasize the natural quality of the wood grain in the woodblocks from which she prints. In addition to the wood grain, her print also suggests the sun, water, and clouds, and employs embossing and gold foil to give a textural quality. Although, not landscapes in the conventional sense, Iwami typically incorporates the elemental qualities of earth, fire, water, wind, and sky through texture.
Vintage Condition: Very good condition, commensurate with age with no fading, discoloration, or torn elements. “As is”, with slight surface soiling, and retains the original craft/workmanship. Any discoloration, surface, or structural damage noted.
NOTE: Iwami Reika | 岩見禮花 いわみれいか | 1927-2020
Iwami Reika, the pioneer in the post-WWII male-dominated world of Japanese print-making, is the first Japanese woman print artist “to achieve the same status and worldwide recognition as male artists.” While born in Tokyo, her early years were spent on the Island of Kyūshu. Returning to Tokyo, but unable to afford regular art classes, she attended Sunday art courses, including printmaking, at Tokyo’s Bunka Gakuin College, graduating in 1955. Before coming to printmaking she tried oil painting and studied doll-making under the “National Treasure” Hori Ryūjo 堀柳女 (1897–1984). By the mid-1950s, Iwami had “discovered a natural affinity for the paper, wood, and watercolor, and felt that she had found her artistic niche in the execution of woodblock prints.”
In 1953 she began exhibiting prints with the Nihon Hanga Kyōkai (Japanese Print Association), becoming a member in 1955 and remaining a member until today. In 1957, with Yoshida Chizuko (b. 1924) and others, she co-founded the Joryū Hanga Kyōkai (Women’s Print Association), an association of nine professional women printmakers. She exhibited every year since 1957 with the College Women’s Association of Japan print show in Tokyo and, starting in the late 1950s, her work has been included in numerous print biennales. However, it was not until 1962, when James Michener included her work in his seminal book The Modern Japanese Print - An Appreciation, which included, in its original limited edition form, a portfolio of ten original prints, that she gained worldwide notice.
Iwami's earlier works were geometrical abstractions, employing some color, but starting in about 1970 her work became less abstract, adopting a distinctive vocabulary representing the natural world, particularly of water. Her pallet also moved to primarily black, white, and shades of gray enhanced with the application of gold and silver foils and the physically demanding technique of embossing. All of these elements remain in her current work.
Iwami's work is illustrative of J. Thomas Rimer's comments on sosaku hanga that even in their abstraction, creative prints still maintained a sense of "muted realism” and “a sense of craft rooted in instinctive apprehension of the power, the wholeness, of nature itself.”
Reviews & Comments
I recently purchased your book on Kokeshi and what a find after collecting for over 10 years with no information to base my purchases on. Now I have YOUR ILLUSTRATIVE BOOK and it has truly opened my eyes. All the associated stories and folk tales give such light to my collection. A curator at the Japanese American National Museum in LA told me about this great resource. Your book happens to be astonishingly precise although I can understand why someone else has not written a book on the subject, because all the artists producing Kokeshi remain obscure and little information available has not been translated. Your book truly did switch the light on for me personally as related to Japanese folk art.
– John G
We just received your new book, Sosaku Kokeshi: A New Look at an Old Tradition. Let us be the first to congratulate you on this superb follow-up to Kokeshi: Wooden Treasures of Japan. Your comprehensive text with its notes on the artists and the beautiful photography create a work that any collector of Kokeshi should have if they wish to develop an understanding of and knowledge about this Japanese folk art. We don’t know which is better (Does either have to be better?), the detailed textual information or the beautiful photographs. Both insist upon and rightfully demand spending time to enjoy and appreciate them. Thank you so much for adding to our appreciation of Kokeshi.
– Masakazu & Keiko Ota
Another great Kokeshi book edition. I was thrilled to see many of the Kokeshi in my collection in your book. I even found a few that I still had not been able to identify, it was nice to finally know the artisans behind my wonderful collection.
– M. Molina
Whether you are a kokeshi doll collector like I am, or exploring Japanese folk art for the first time, Sosaku Kokeshi – A New Look at an Old Tradition is a wonderful, informative resource for collectors and a lovely visual introduction to Sosaku dolls. I just purchased a copy of the book, and I could not be more pleased! With its beautiful colour photographs, signatures and profiles of the artists along with titles of the dolls, it is a well-researched, comprehensive resource. While some dolls featured in the book were familiar to me, I was also introduced to artists and dolls that I have never seen or heard of before. I was especially thrilled to discover the extensive Sosaku artist directory included at the back of the book. As a collector, Sosaku Kokeshi – A New Look at an Old Tradition and Kokeshi – Wooden Treasures of Japan have helped me to appreciate and understand my current doll collection on a whole new level. I first began collecting kokeshi in the mid 1980’s, when I bought three dolls from neighbours and long-time friends who were moving back to Japan. For a long time, I simply admired and enjoyed the dolls for their beauty without thinking any further. Years passed, and my collection grew a little more when I spent two years teaching and living in Japan. There was a turning point when I started to wonder, what is the story of each doll? Suddenly it wasn’t enough to just enjoy them; I wanted to understand them. These two books have helped me to learn so much more about kokeshi dolls, and influence my thoughts on the process of doll selection. My kokeshi collection has become more focused and personal now that I am able to recognize which dolls I am truly drawn to. Although there are many kokeshi that I may never personally own, each time I open the books, I get to experience them. In that way, these two books have become an extension of and just as much a part of my collection as the dolls that sit on my shelves.
– Karen W.
Thank you mingeiarts for sending me your recently published book on Creative Kokeshi. This is a wonderful collectors resource with loads of background and information. Last week I also received the kokeshi doll by Kobayashi that I ordered from your website. This wonderful doll now takes pride of place in our collection. As always your attention to detail and customer service is first rate.
As always, a carefully packed order arrived this morning. This Sosaku Kokeshi – Takeda, Nori Aki Kaze is a great doll. Her large attractive head and maple leaf pattern, along with the vibrant colour make this doll very intriguing. Another copy of your new book that I have ordered for my friend will be a great Christmas Present for him. Much appreciated. I have also enjoyed furthering my knowledge of Japanese Antiques and Collectibles through your website. The tour of Japan and the stunning images are marvellous. Looking forward to my next adventure with Mingei Arts.
“I came across this announcement on PBS/OPB and was quite curious about the subject and visited the exhibit:
“The art of Kokeshi doll making began in the Early 1800s, and flourished in the late 1950s, through the 60s as Creative (Sosaku) dolls. This period produced the greatest, most enduring and popular artists of the genre, with many craftsmen gaining international recognition, which has followed these prolific pioneers into the 21st Century. The late 1950s saw the movement go beyond the smaller, colorful bobble-head dolls so popular with westerners during the 1940s-early 50s, with the artists utilizing the various beautifully-grained woods available to wood workers, (kiji-shi), in many areas throughout Japan. While a number of these Sosaku Kokeshi makers trained under ‘Traditional’, (Dento), mentors/masters in the Tohoku region, (the birthplace of Kokeshi), their dolls show exciting imagination, as many of the artists came from a variety of artistic backgrounds including painting and photography. This allowed for immediate acceptance by the public, for the dolls were considered unique works of art. The dolls are larger and more elegant, and in many cases, the different woods comprised the clothing and hair treatments, with the incorporation of different methods of carving and painting techniques. Today, Sosaku Kokeshi dolls are more popular than ever, supporting the transnational and transmedia movement of Anime and toy design seen throughout the world”. What an exceptional and inspiring exhibition. You’ve made my day! Thx again!”
WONDERFUL exposition. The Sosaku Kokeshi of artist-made wooden dolls and toys is exceptional. We found the pieces and the research associated with the various craftsmen extremely helpful. Josephine Bridges article on “Dignified dolls,” in the Asian Reporter was a great compliment to the exhibit and this extensive collection. We’ve only seen the traditional kokeshi and had no idea that Japanese Creative artisans made such individual artistic pieces. The artwork on each doll is literally like a unique painting historically recording the Japanese culture. Thank you for your fine work and this educational experience.
In this grand scheme of things you’ll get an “A” with regard to your research and associated folk art. The Shiwan ware I recently purchased is one of the most beautiful pieces I have purchased in over 10 years. The information you provided was excellent, the piece is in mint condition as advertised, with a subject matter I did not have in my collection. In all the years I have been traveling to China this was a treasure to find. Should you ever find a book in English on the subject of Shiwan history, lore and legend please contact me for we would love to have a reference in Chaminade’s design library. There are only a few books in China, always in Chinese, and unaffordable.
We are not passionate collectors of Kokeshi; we are collectors with some passion. We are not long-time collectors of these wooden dolls; we are collectors who hope to be collecting for some time and when finished, hope to pass on this love to our granddaughters. Actually, we started collecting Kokeshi only a short time ago with the expert guidance of Michael and Robert. Beginning with a goal of three or four dolls for each of our granddaughters, we almost immediately changed our goal after we purchased the first one and fell irresistibly in love with this Japanese folk art. We have amassed a small collection that we display proudly. In spite of our limited background and only a little research to support our evaluation, Sosaku Kokeshi: A New Look at an Old Tradition is a magnificent work on the subject of these wooden dolls which make up a segment of the folk arts of Japan. The detailed background materials on the artists and the notes on the dolls can be an invaluable part of one’s collection. The marvelous photography is an excellent complement to the text, as we re-viewed the images many times, envying the owner of each doll. In summary, collectors of Kokeshi who wish to expand their knowledge on this subject would do well to add Sosaku Kokeshi as well as its predecessor, Kokeshi: Wooden Treasures of Japan, both rare on this subject, to their collection of dolls.
Hi, Mingeiarts! Just want to say MAHALO — love my new jewelry box!! Yes, you read that right: I wanted this tobacco box to hold my modest collection of jewelry! I tend to march to the beat of a different drummer most of the time, and I often repurpose items. When I saw this lovely Japanese box you were selling, I thought “bingo!” — perfect!! So, many thanks… and I hope to occasionally purchase an item now and then now that I know about you! Kristi
I received your delightful Kokeshi book, and I am very grateful to have discovered this beautiful publication. I love the artistic publishing format and the washi paper. The photographs are singular elegant portraits. It is wonderful you have included the calligraphy kanji signature of the craftsman, as important as the beautiful painted dolls. Kokeshi: Wooden Treasures of Japan is a reference that gives provenance to my small treasured collection and a guide in my search for more. Exciting to also discover a few of mine already in your book. Many thanks again for gifting this special kokeshi edition and I hope to continue to share the joy.
I hope that you guys are well! big hug to you both.
– Martha Lynn
Oh my goodness! She has arrived and she is divine!
She was beautifully packed and arrived safe and sound. She is so gorgeous and I thank you so much for all that you have done along the way. You provide such a professional yet also personable business and it was a delight dealing with you.
Thank you for bringing such gorgeous items to our attention – these Kokeshis are ‘works of art’ and we are lucky to be able to purchase them and bring them into our lives and homes.
I had to send you a photo of her with her new family and I have to say, as you predicted, she fits in beautifully.
I shall keep an eye on your website for further ‘treasures’.
The lucky owner of ‘Pigtails’ by Ishihara, Hideo
Thank you for your attention and guidance to a new mingei collector. Both your publication and mingei are outstanding, your packing is perfect and shipping prompt.
MINGEI ARTS CAN’T BE BEAT!
Got the vase over the weekend. Really beautiful. Somehow this medium really speaks to me, at least the objects where most everything is in different shades of brown. Very appealing. Yes, too bad I missed out on the ginger jars you had for sale. Ah well, it’s all OK in the universe. And what clever use of materials for safe packing!
You sure did make my day!!! I received the book and have been immersed in it. Thank you again! When I got the book out of the envelope, I turned the book to the back side and opened it up and let it open to where ever it wanted, and it opened to my ALL TIME favorite artist, Sanpei Yamanaka. Talk about serendipity. I loved that you have several of his kokeshi in the book. I know this is weird, but since I was little, when I get a new book, I go to the back and open it to quickly look through it. But to have it open to Sanpei Yamanaka, … it was great. Thank you so much for such a generous thing you have done in creating the book, and I truly appreciate it.
– Mary Beth
I have several items from Robert & Michael’s collection now and they all hold a special place in my home and warm my heart when I see them. Something about the art from Japan just makes me feel at peace and also comforted. Shopping through the items in this store is like treasure hunting, without the hunting.
I want to thank Robert for making my first order with Mingei Arts so special. Your time and personal attention was gratefully appreciated. I could not be happier with my three new Kokeshi – I have them displayed where I pass by often so I can stop and look at them – they always bring a smile to my face! They make me HAPPY! I also love your book and eBook. Thank you so much!
– Barb Scelza
Good morning Robert.
She arrived yesterday evening safe and sound. She is gorgeous! Her beauty is very subtle and she demands contemplation. I love her…
It’s funny, when I first started out collecting Kokeshi I assume I started out like many others, eBay and Amazon (horrors!). I didn’t realize I was purchasing factory made dolls, but one day I was looking at all of them and realized they ALL looked the same. I did have a few books, one in Japanese, and the first edition of Kokeshi, From Tohoku with Love. Both books only dealt with Traditional Kokeshi. It wasn’t until I got your book that I realized what I had been missing these past years! It opened my eyes to the diversity and beauty of an amazing art form… Now I am totally addicted (and, trying to figure out what to do with the dolls that now have lost their appeal and are taking up valuable space!). Anyway, I can’t thank you enough…
I purchased a vintage spinning top for a gift, and I absolutely love it! The ordering process was fast and easy, and the item was in the condition described on the website.
Oh Robert and Michael,
Thank you for sending this book to me – it is beautiful, so informative and stunning pictures. Well done to you both for producing this. Any wonder so many people around the world love it. I will love using it as my reference book. You have both been so lovely to deal with……I look to you both as experts in all things Kokeshi and Japanese art, and look forward to our continued friendship across the world. Karen
Just downloaded my ebook on Sosaku Kokeshi. Excellent and so excited to see that you transposed the hardbound version that sold out. Exceptional large color images with great descriptions and details. It is so nice to have a copy I can carry when touring and when I am on-line shopping for Kokeshi. Also nice not to have to pay for international shipping. Thank you for this delightful and well written book.