Antique Chinese Shiwan Ware

Antique Chinese Republic Shiwan (Shekwan) Pottery  | Amah and Child


Age:1900

Descriptive qualities& condition:

Dimensions: 2-0”w x 4-3/4”h

Shown is a wonderful mud figure representing a caregiving tradition showing an Amah, (nanny), going to town to shop. She is carrying a baby and has a nicely fashioned umbrella, to provide shelter, should it rain. The glazes are standard for Shiwan ware, utilizing blue, green, brown, and yellow ochre. The detailing is quite, intricate showing body features, (baby’s foot is hanging out of the carrier). The piece has an impressed seal “CHINA” on the bottom indicating this piece was made between 1890-1919. This piece was purchased in a small town located in Guangdong province, China in 1985 from a scholar who specialized in the history and folklore embodied in Shiwan ware.

The carrier or sling in China was known as Mei Tai, and was simply a piece of square or rectangular fabric. The panel is generally the aesthetic and symbolic focus of the whole baby carrier. Baby carriers are customarily embellished with designs and decorations through the use of a broad range of embroidery techniques. Silk, often hand spun, is usually used for the fine embroidery, as represented on this mud figure. The foundation materials can be silk, cotton, hemp or flax.

The custom of carrying a baby on either the Amah's, (household aid), an extended family member, or farm laborers back developed when a mother had to continue to do her house work or farming work without leaving the baby alone on bed or crawl around the house. Baby carriers are ideal for busy parents and for babies love to be close to their Mothers. Traditional working mothers who had to attend to their young babies, lead to a new division of labor between men and women.

Antique Condition: This piece has beautiful glazing in excellent condition: no chips or missing elements or repairs. “As is” and retains the original craft/workmanship. Any discoloration, chipping/cracking, surface wear or structural damage noted.

NOTE: Overview and Characteristics of Shiwan Art Pottery

As an important part of Chinese traditional culture, ceramic wares have a long history reflecting the customs of this ancient culture. One of the most famous types of ceramic works is called Shiwan (Shekwan) ware, which has been the shining star in Chinese folk ceramic art as early as the Tang and Song Dynasties (618-906AD), and which flourished in the Ming and Qing dynasties.

Chinese classical Shiwan ware is a type of traditional pottery that comes from the talented artists of a small town located in the south of China called Shiwan, in Foshan City, famous for its culture and pottery. Here craftsmen are well-known for their glazing techniques and unique forms. All the sculptural work is hand-formed, and sometimes involves numerous family members within a village, while directed by a master craftsman, every object is unique, and therefore, a limited edition, which attracts art collectors the world over. The three largest collections of Shiwan Art Pottery are housed in the Hong Kong Fung Ping Shan Museum, and the Chinese Cultural Centre in San Francisco.

Original Shiwan figurines, (1880-1940), are extremely rare because the art/craftsmanship and their delicate, fragile nature. The greater the detailing, the more likely the figure has been made by a master artist, hence the higher value. Also the larger the piece the more valuable, (8-0” or pieces over 20.0” tall) are extremely rare. The age of Shiwan ware can be verified by the markingsor lack of markings, the fact that they are hand-formed, depicting highly expressive figural forms and vivid imagery; primitive in sculpting techniques; the decorative elements associated with the figure; the deep rich glazes infused with the piece; the type of regional clay (sandy, course clay is the oldest), and the stylistic differences. Finally, pieces signed or stamped by the artist/craftsman are rare. The oldest Shiwan pieces, prior to 1890, will not have a signature or stamp.

DO NOT CONFUSE MUDMEN / MUD FIGURES WITH SHIWAN WARE!  This unique artistic style made Shiwan ceramics extraordinarily splendid, (not to be confused with the export mud men, which were smaller figures made of mud-like clay forced into a mold and/or finger-formed, and used as decorative additions to in bonsai, planters and aquariums). These lack the expression, detail, and individuality of their glazed handmade counterparts). © 2019 — Vermillion Publishing

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Customer Reviews

One of the most beautiful pieces I have purchased in over 10 years

I recently purchased one of the most beautiful pieces I have purchased in over 10 years. The information you provided was excellent, the piece is in mint condition as advertised, with a subject matter I did not have in my collection.

— dbl

Delightful and well written book

Just downloaded my ebook on Sosaku Kokeshi. Excellent and so excited to see that you transposed the hardbound version. Exceptional large color images with great descriptions and details. It is so nice to have a copy I can carry when touring and when I am on-line shopping for Kokeshi. Also nice not to have to pay for international shipping.

— Author's name

A great doll

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— Kathy

You did the subject justice

Vintage Kokeshi and its history is absolutely a topic thats close to my heart, so Im pleased that you wrote about it. Im also happy that you did the subject justice bringing the history of these creative artifacts to light. Not only do you know a great deal about it, you know the way to present the subject in a way that individuals will wish to read far more. Im so happy to know a person/site like you exists on the internet. I understand you are writing a book on Sosaku Kokeshi artists. That will be high on my list for there is nothing in English on the subject, and I am worried that the craftsmen and their creations will be lost as Japan becomes more western in attitude. Doomo arigato gozaimasu from Japan.

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Truly opened my eyes

I recently purchased your book on Kokeshi and what a find after collecting for over 10 years with no information to base my purchases on. Now I have YOUR ILLUSTRATIVE BOOK and it has truly opened my eyes. All the associated stories and folk tales give such light to my collection. A curator at the Japanese American National Museum in LA told me about this great resource. Your book happens to be astonishingly precise although I can understand why someone else has not written a book on the subject, because all the artists producing Kokeshi remain obscure and little information available has not been translated. Your book truly did switch the light on for me personally as related to Japanese folk art.

— John G

Detailed textual information & beautiful photographs

We just received your new book, Sosaku Kokeshi: A New Look at an Old Tradition. Let us be the first to congratulate you on this superb follow-up to Kokeshi: Wooden Treasures of Japan. Your comprehensive text with its notes on the artists and the beautiful photography create a work that any collector of Kokeshi should have if they wish to develop an understanding of and knowledge about this Japanese folk art. We don’t know which is better (Does either have to be better?), the detailed textual information or the beautiful photographs. Both insist upon and rightfully demand spending time to enjoy and appreciate them. Thank you so much for adding to our appreciation of Kokeshi.

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Another great Kokeshi book edition

Another great Kokeshi book edition. I was thrilled to see many of the Kokeshi in my collection in your book. I even found a few that I still had not been able to identify, it was nice to finally know the artisans behind my wonderful collection.

— M. Molina

My kokeshi collection has become more focused and personal now that I am able to recognize which dolls I am truly drawn to

Whether you are a kokeshi doll collector like I am, or exploring Japanese folk art for the first time, Sosaku Kokeshi – A New Look at an Old Tradition is a wonderful, informative resource for collectors and a lovely visual introduction to Sosaku dolls. I just purchased a copy of the book, and I could not be more pleased! With its beautiful colour photographs, signatures and profiles of the artists along with titles of the dolls, it is a well-researched, comprehensive resource. While some dolls featured in the book were familiar to me, I was also introduced to artists and dolls that I have never seen or heard of before.

These two books have helped me to learn so much more about kokeshi dolls, and influence my thoughts on the process of doll selection. My kokeshi collection has become more focused and personal now that I am able to recognize which dolls I am truly drawn to. These two books have become an extension of and just as much a part of my collection as the dolls that sit on my shelves.

— Karen W.

WONDERFUL exposition.

The artwork on each doll is literally like a unique painting historically recording the Japanese culture. Thank you for your fine work and this educational experience.

— TM

After we purchased the first one, we fell irresistibly in love

We started collecting Kokeshi only a short time ago with the expert guidance of Michael and Robert. Beginning with a goal of three or four dolls for each of our granddaughters, we almost immediately changed our goal after we purchased the first one and fell irresistibly in love with this Japanese folk art.

We have amassed a small collection that we display proudly.

In spite of our limited background and only a little research to support our evaluation, Sosaku Kokeshi: A New Look at an Old Tradition is a magnificent work on the subject of these wooden dolls which make up a segment of the folk arts of Japan. The detailed background materials on the artists and the notes on the dolls can be an invaluable part of one’s collection. The marvelous photography is an excellent complement to the text, as we re-viewed the images many times, envying the owner of each doll.

— Koigirl

I love my new jewelry box!!

Just want to say MAHALO — love my new jewelry box!! I wanted this tobacco box to hold my modest collection of jewelry. I tend to march to the beat of a different drummer most of the time, and I often repurpose items. When I saw this lovely Japanese box you were selling, I thought “bingo!” — perfect!! So, many thanks… and I hope to occasionally purchase an item now and then now that I know about you!

— Kristi

Delightful Kokeshi book

I received your delightful Kokeshi book, and I am very grateful to have discovered this beautiful publication. The photographs are singular elegant portraits. It is wonderful you have included the calligraphy kanji signature of the craftsman, as important as the beautiful painted dolls. Your book gives provenance to my small treasured collection and a guide in my search for more. Exciting to also discover a few of mine already in your book. Many thanks again for gifting this special kokeshi edition and I hope to continue to share the joy.

— Tania

Oh my goodness! She has arrived and she is divine!

She was beautifully packed and arrived safe and sound. She is so gorgeous and I thank you so much for all that you have done along the way. You provide such a professional yet also personable business and it was a delight dealing with you.
Thank you for bringing such gorgeous items to our attention – these Kokeshis are ‘works of art’ and we are lucky to be able to purchase them and bring them into our lives and homes.
I had to send you a photo of her with her new family and I have to say, as you predicted, she fits in beautifully.
I shall keep an eye on your website for further ‘treasures’.

— Karen, the lucky owner of ‘Pigtails’ by Ishihara, Hideo

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— Brenda

Really beautiful.

Got the vase over the weekend. Somehow this medium really speaks to me, at least the objects where most everything is in different shades of brown. Very appealing. Yes, too bad I missed out on the ginger jars you had for sale. Ah well, it’s all OK in the universe. And what clever use of materials for safe packing!

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I could not be happier with my three new Kokeshi

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Great spinning top

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