Artisan | Woodworker: Yokozuka, Ikuyoshi | 1960-

Biographical History:

Yokozuka-san was born in Saitama-ken, Chihibu-shi, and worked in Gunma-ken, Yonezawa-shi for most of his life. He won the Prime Minister’s Award for his unusual Sosaku creations. Unfortunately no other information is available on this exceptional artist. As collectors, we felt it was most important to represent all Sosaku Kokeshi artists, whether or not each artist has a written account of his/her life. We show the diversity of cultural values and the creative work produced by a multitude of artists. As a valued customer, Kokeshi collector noted, “Kokeshi collecting is a personal journey in this everlasting realm of Japanese esthetics”.  DF

In researching old writings through articles and books that remain, it is evident that the Kokeshi Craftsperson not only created beautiful forms as toys, but also kept alive cultural values, customs, and fashion through the extensive representations of Kokeshi dolls. The beauty is in the doll and not the signatures, for most masters never signed their dolls. Later they named the dolls, but only when Westerners insisted on signatures because they did not know the artists, so the carvers began to sign their works, for the carvers wanted to promote sales to make a living, during the seasons that did not provide an environment to continue their otherwise daily work.

Collector's note – descriptive qualities, standard characteristics & ornamentation styles:

This artist shows his fascination with innocence by the distinctive eyes. He uses the eyes to express feeling, which is a key factor in the identification of his work. It is unusual to see a lathe-turned kokeshi whose coat, (Haori), is made as a separate and distinct element of the piece. One can certainly understand why the study of history and artifacts are an important factor in enhancing creativeness and innovation. Yokozuka-san produced very unique carved forms, some like science fiction figures, which were used as the basis for anime. He demonstrates a taste for dynamic, unified motifs; clean, straight, and curved lines of his garments give life to three-dimensional pieces. The simplicity of structure also belies the fact that donning a kimono, void of decoration, simply emphasizes form. Simple sumi-e’ is used to define faces and hair.