Vintage Sosaku Kokeshi by Suizan Shinobu entitled: “Haniya Oni”
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Dimensions: 12-0” h
This figure is executed in dogwood and carved to honor Oni, a kind of yōkai, demon, or ogre in Japanese folklore. He is typically portrayed as a hulking figure with one or more horns growing out of his head. The creature was introduced from China along with Buddhism feeling that they can nevertheless be converted to Buddhism and a symbol of protection. Japanese people believe that Oni possesses intriguingly complex aspects that cannot be brushed away simply as evil. It is carving giving life to the body of the piece. The doll is signed on the bottom.
Vintage Condition: Very good, “as is” with some scattered stain from aging that does not affect the design, and retains the original craft/workmanship. Any discoloration, chipping/cracking, surface wear or structural damage noted.
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Our antique/vintage pieces are identified/described and professionally photographed, and considered, “as is”, therefore all sales are final. Read our full refund and return policy.
Artisan | Woodworker: Suizan, Shinobu (Yokusan, Shizan)
Biographical History:
Creative Kokeshi Transitional artist Suizan is known to be from the Tohoku region, but there is no other information found on this artist. Some of his Kokeshi are similar to the Traditional Tougatta-style dolls. His style of carving is called Harusame-bori. As collectors, we felt it was most important to represent all Sosaku Kokeshi artists, whether or not each artist has a written account of his/her life. We show the diversity of cultural values and the creative work produced by a multitude of artists. As a valued customer, Kokeshi collector noted, “Kokeshi collecting is a personal journey in this everlasting realm of Japanese esthetics”. DF
In researching old writings through articles and books that remain, it is evident that the Kokeshi Craftsperson not only created beautiful forms as toys, but also kept alive cultural values, customs, and fashion through the extensive representations of Kokeshi dolls. The beauty is in the doll and not the signatures, for most masters never signed their dolls. Later they named the dolls, but only when Westerners insisted on signatures because they did not know the artists, so the carvers began to sign their works, for the carvers wanted to promote sales to make a living, during the seasons that did not provide an environment to continue their otherwise daily work.
Collector's note – descriptive qualities, standard characteristics & ornamentation styles:
Separating the subject from the background gives solidity and definition, which supports the carving on his lathe-turned dolls. Suizan works only in Kabanoki, (Birch) or Mizuki, (Dogwood), and never paints any of his dolls. Images range from Noh theatre images, Daruma, (folk diety), the devil, chrysanthemum, and autumn flowers. He often carves the kanji for ‘Patience” into his pieces. He is a unique artist whose work is unusual and seldom seen, and is one of only three artists who do not paint their dolls.