Vintage Japanese Kokeshi entitled: “Hanako | Flower Child” by Ishihara, Hideo (1925-1999)
Dimensions: 4-1/4” x 4-1/2”dia
Seen on this page are some of the most unusual dolls representing the painterly accomplishment of this artist. Ishihara-san inspiration from nature and textile design shows in his treatment of both young and old characters. The “Bob” hairstyle is the same throughout his history of making Sosaku Kokeshi. In each piece, his painted subject matter and subtle carving complement the complexity of the figure, which brings out the true nature of the wood. It is also not unusual to see him utilize abstract and delicate floral painting throughout the surface treatment of these dolls. Each piece is signed by the artist.
Condition: Excellent, beautiful condition affording the doll age-old elegance. Retains the original craft/workmanship showing a wonderfully-developed patina commensurate with age and unrestored. The piece meets all the standards of Sosaku Kokeshi collectibles.
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Ishihara-san, born in Tokyo in 1925 was a highly influential Sosaku Kokeshi artist and began his career by making Traditional Narugo dolls in 1957. His grandfather was the famous artist Onuma Iwatao, of Narugo Onsen, Miyagi, and creator of the "Naruko Kokeshi". After graduating from University, Ishihara-san was under medical care for more than ten years, during which time he studied painting. Upon recovering from his illness, he began making Sosaku Kokeshi, and in a ten-year period (1959-1969), he received more than sixty awards, including the highest honor, the Prime Minister’s Award. He was introduced to the twenty-three countries in Europe and America by NHK. He has sponsored 30 exhibitions in Japan including those at Matsuzakaya Nagoya and Ginza, and four exhibitions in overseas countries. He was one of the founders of the Nippon Kokeshi Artistic Handicraft Association.
Collector's note – descriptive qualities, standard characteristics & ornamentation styles:
Ishihara-san’s dolls are based on many motifs found in nature and textile design. He loves portraying both young and old characters with differing hairstyles, (traditional and 1950s era). He illustrates numerous kimono styles in both painted form and carving and utilizes simple graphic treatment to emphasize the strong character of his dolls, which bring out the true nature of the wood materials through manipulation of the turned and carved wood. His dolls are always finished in a simple wax coating. It is also not unusual to see him utilize sumi-e’ drawing of faces that have both the ‘one-stroke eye’, (Hitofude-me), as well as a variation of traditional doll eye treatments.