Vintage Japanese Sosaku Kokeshi of Bosatsu Kannon by Kato, Kuen (1876-1971)

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Dimensions: 13-1/2” h

Kannon is another purely Japanese form of the deity, Avalokitesvara, who was originally male. Kannon is commonly known as the “Goddess of Mercy and Compassion” in Japan, and while she does not display any of the more expected female characteristics, her face is the most serene and womanly Buddhist figure. Fewer images of her appear in a Kokeshi-type doll than Daruma-san, and none have been included in the “Traditional’ styles that we know of. However, ‘creative’ versions do appear from time to time, all of which are beautiful in their simplicity and elegance. 

This particular Kokeshi is in the form of Bosatsu Kannon, (Kannon-ji Temple), adorned only on the head with muted gold Bandi, (religious mark) on her forehead. It is believed to be an energy center of the human body, representing “the third eye”. This beautifully- formed and slender doll exhibits a ‘pick’ nose and a small mouth with black eyes and eyelashes looking downwards exhibiting a meditative and serene expression. The almost veil-like long black hair that drapes the sides of her face, is simply rendered with a ‘Mage’ on the top. The entire figure is carved from Cherry Wood, (Sakura), and we were told that the majority of this type of doll contains a parchment scroll with personal prayer/wish inside the removable base. This doll epitomizes the Buddhist philosophy that to reach enlightenment, one must lead a simple and frugal life. The doll is unsigned and an early example of Nato-san's work, in which he began turning similar dolls as a “Samana”, then later a monk “Bhikkhu”, and was a member of the Imperial family. He was assigned to the Kannon-ji Temple on Mt. Koya, a holy place of huge monastery settlements, and a starting place for all Buddhist pilgrimages. This doll is unsigned because early on, it was not common for religious craftspersons to sign their creations.

1970Condition: The piece has the acknowledgment on the base in beautiful script and is signed by the artist. There are no chips, cracks, breaks, missing pieces, or restoration, and retains its original details and finish. The piece meets all the standards of the vintage collectible Sosaku Kokeshi.