Vintage Sosaku Kokeshi entitled: “Akatonbo | Red Dragonfly” by Tsujita, Tatsuya
Dimensions: 11-1/4”h
Offered is an exceptionally large, unusual, and abstract representation of a young girl moon-watching, with pigtails flying, and titled head looking upwards. Her eyes are beautifully rendered in simple sumi-e’ painted work with a small red nose. Incorporated as part of the garment are wonderful hand-painted red and gold dragonflies, (Tonbo), depicted on the variegated, coloration of the garment, illustrating nature and the surrounding environment, and used as a main motif in several Kokeshi creations. More than anything, this particular doll illustrates the technical and artistic competence of the artist.
Tonbo is a symbol often incorporated into Samurai garments and represents the saying ‘never giving up', as the dragonfly moves in multiple directions to avoid conflict. The dragonfly is perhaps the oldest symbol in Japan and is represented in many forms of art throughout the ages. The Nihon Shoki, the second oldest book of classical Japanese history, cites numerous references to ‘Akitsu’, an archaic name for Dragonflies, (According to legend, the mythological Emperor Jimmu ascended a mountain some 2,600 years ago and declared that Japan resembled a dragonfly). Very often, the Samurai additionally wore ornaments that showcased the Tonbo design, as a reminder to never give up, but instead look towards the future. And finally, September is the time for moon viewing, (Taukimi), which this figure is positioned to enjoy. The piece has an inscription on the bottom identifying the artist.
The piece was published in Sosaku Kokeshi: Celebrating the Major Artists of the Creative Movement in 2022. For more information on this artist go to the following link: https://mingeiarts.com/collections/artisan-woodworker-tsujita-tatsuya
Condition: Pristine meaning that the piece retains its original craft/workmanship showing a wonderfully developed patina commensurate with age, which suggests a degree of wear that corresponds to its vintage. The doll is void of damage, cracks, breakage, or repairs. This doll meets all the standards of the collectible Japanese Sosaku Kokeshi by Tsujita.
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Our antique/vintage pieces are identified/described and professionally photographed, and considered, “as is”, therefore all sales are final. Read our full refund and return policy.
Artisan | Woodworker: Tsujita, Tatsuya
Biographical History:
There is little biographical data on Kato-san, other than it is possible that he is a son or relative of Ryozo. As collectors, we felt it was most important to represent all Sosaku Kokeshi artists, whether or not each artist has a written account of his/her life. We show the diversity of cultural values and the creative work produced by a multitude of artists. As a valued customer, Kokeshi collector noted, “Kokeshi collecting is a personal journey in this everlasting realm of Japanese esthetics”. DF
In researching old writings through articles and books that remain, it is evident that the Kokeshi Craftsperson not only created beautiful forms as toys, but also kept alive cultural values, customs, and fashion through the extensive representations of Kokeshi dolls. The beauty is in the doll and not the signatures, for most masters never signed their dolls. Later they named the dolls, but only when Westerners insisted on signatures because they did not know the artists, so the carvers began to sign their works, for the carvers wanted to promote sales to make a living, during the seasons that did not provide an environment to continue their otherwise daily work.
Collector's note – descriptive qualities, standard characteristics & ornamentation styles:
The only work we have found are these abstract representations of young girls moon watching, with pigtails flying, and wonderful Tonbo depicted on their clothing. They illustrate the contemporary nature surrounding Kokeshi making. These unique lathe-turned, hand-painted dolls show the technical competence of the artist. Tonbo is a symbol of the Samurai that represents “never giving up”, as the dragonfly doesn’t move backward. The dragonfly is perhaps the oldest symbol in Japan and is represented in many forms of art throughout the ages. The Nihon Shoki, the second oldest book of classical Japanese history, refers to Dragonflies as ‘Akitsu’. Very often, the Samurai wore clothes, or ornaments that showcased the Tonbo design, as a reminder to never give up, but instead look towards the future. And finally, September is time for moon viewing, (Taukimi), which these figures are positioned to enjoy.