Vintage Sosaku Kokeshi entitled: “Kōtakunoaru | Shyness” by Shouzan, Shido (1932-1995)
Dimensions: 10-1/2”h
Shouzan-san is considered by Kokeshi collectors and critics alike to be the most influential artist in the world of Sosaku Kokeshi doll-making that emerged during the creative period of the ‘60s. He is a multiple winner of the Prime Minister’s Award, among many other awards.
This doll has a common design element: a repetitive, textural pattern called ‘Harmonic Chatter work’, used to define the Kimono in one lathe-turned piece of Keyaki (Zelkova) wood. It is a random decoration enabling the artist to produce some exquisite, yet unique treatments, combined with un-ornamented surfaces as represented in the ‘Bob’ hairstyle. The unique ‘Mage’ completes the top of her head. Supporting his interpretations of young girls, it is said the Japanese culture is one of modesty and humility which is beautifully represented in this doll. Her elongated, horizontal eyes and tiny nose define its character. The doll is signed in script by the artist.
The piece was published in the 2022 publication of Sosaku Kokeshi: Celebrating the Major Artists of the Creative Movement. For more information on this artist go to the following link: https://mingeiarts.com/collections/artisan-woodworker-shido-shozan-1932-1995.
Condition: Superb lathe turning, detailing, and size, for it, is outstandingly excellent, impressive, and beautiful. There are no chips, cracks, breaks, missing pieces, or restoration, and it retains its original details and finishes. The piece meets all the standards of the vintage collectible Sosaku Kokeshi by Shouzan, Shido.
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Artisan | Woodworker: Shido, Shouzan | 1932-1995
Origin:
Shido-san is considered by Kokeshi collectors and critics alike to be arguably the most influential artist in the world of Sosaku Kokeshi doll making. Shido-san’s main focus was depicting unadorned Northern girls in the traditional “Mino”, or Snow Coat, but he also produced tall, thin dolls, which were sparsely decorated. His keen sense of design, minimal use of color, and simple elegant shapes set him apart from his peers, making him one of the most collectible artists emerging from the creative period of the ‘60s. He is a winner of the Prime Minister’s Award, among many other awards.
Collector's note – descriptive qualities, standard characteristics & ornamentation styles:
Shido-san loved studying the use of combining different types of wood to gain the desired effect and to give dimension to his pieces. He also enjoyed creating slender, tall dolls to support the fact that they resemble the tall, thin trees seen throughout Japan. He incorporated a repetitive textural pattern called ‘Harmonic Chatter work’ to enhance the natural qualities of the wood on many of his works.
Shido-san particularly enjoyed the textural qualities of ‘Chattering’ on the rain/snow coat, (Minomushi), which is a favorite theme, executed with minimal painted ornamentation, with an emphasis on the natural wood. In general, it is said the Japanese culture is one of modesty and humility. Occasionally we see different types of headdress, one of which he called a ‘Tsunokakushi’, which is a wide headresses or hood, which covered elaborate hairstyles. We are told that the Japanese people regulate their behavior and response by reading faces and the eyes of others. Here, as well as elsewhere, you will see many examples of different characteristics of the eye is expressions. His most famous doll was called “mai”, a dancer, which was an elegant and slender doll created in 1970. This doll exhibited traditional hair design with an emphasis on a brightly colored “obi” which brings forth the best use of complex geometry to create traditional Japanese clothing elements.
Shido-san was a prolific artist/woodworker of Kokeshi dolls. We additionally see unusual subjects focused on Zen Buddhism and figures of Daruma, (Bodhidharma) of which most were made in a “roly-poly” type figure seen throughout festivals in Japan.
Artist's Signature:
