Vintage Sosaku Kokeshi entitled: Mother and Child by Aida Harumi
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Dimensions: 6-31”h
A typical theme of only a few artists is that of either the mother with child or the infant in the arms of the Oshin, (Baby Sitter). Japanese mothers are known for proactively predicting the needs of their children, making the prevention of fuss a high priority. The babysitter was a trusted and essential part of the Japanese family, and was particularly important to rural mothers who daily worked the fields, and who needed assurance that each child would be lovingly cared for throughout the day. This piece shows a great deal of affection with expressive faces and a slight whisper of har flowing down each face. the body of the Mother is unornamented but has a wonderful bulbous shape define the figure. The piece has the artists red stamp on the bottom.
Sosaku Kokeshi images of mother, Oshin, and child, as shown here, are rare subjects for inspiration in today’s Japanese artisan world, and are rigorously sought after by collectors.
Condition: Excellent meaning that the piece retains its original craft/workmanship showing a wonderful-developed patina commensurate which suggests a degree of wear that corresponds to its vintage. It is void of damage, cracks, breakage, or repairs and meets all the standards of the collectible Sosaku Kokeshi.
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Artisan | Woodworker: Aida, Seihou | 1926-1998
Biographical History:
Aida-san, (a.k.a. Harumine), is a leading Sosaku Kokeshi artist who has won many awards since he began creating Kokeshi in 1947 and has produced award-winning dolls from 1962-1974. Aida was born in Yonezawa City, Yamagata Prefecture in the first year of the Showa era. Along with the Prime Minister’s Award, he also won top awards in the Modern Kokeshi Academy in 1972-74; the Minister of Education Encouragement Price at the National Modern Kokeshi Exhibition in 1974; and an award in 1993 at the Special Kokeshi Federation Anniversary Exhibition. He is acknowledged as one of the leading early artists in the Sosaku movement. His eldest son, Yoshiki has taken over the family name and is exclusively a sedcond generation craftsman of Sosaku Kokeshi. Sheiho was a memeber of the Yonezawa Miyuki Association until his death.
Collector's note – descriptive qualities, standard characteristics & ornamentation styles:
Kimono design and motifs are understated with chattering giving a rich textured surface, or intricately handpainted with seasonal and natural flora elements. The natural wood, typically the deep coloration and graining of the Enju, (Pagoda tree wood) and Birch, (Kabanoki), provides a basis for his creations, which, in most cases are minimally painted, and ornamented. The faces on his dolls are meant to be more expressive, and minimally rendered and incorporate a suggestion of a nose and expressive eyes. He always celebrates the garment worn with distinctive hairstyles when emphasized.