Vintage Sosaku Kokeshi entitled: “Oshinobi Dochi | Incognito” by Kato, Hiroshi
Dimensions: 9-0”h
This wonderful and large Kokeshi was created by Kato-san’s and one of the first of this style that was created in the early 60’s. Hiroshi who charmed by the appearance of Heian noblewomen, who represented families of high rank, and was one of his favorite subjects. Women enjoyed a certain aspect of freedom during this period, and were well educated in music, poetry, art, fashion, and calligraphy, which were a part of a woman's education during this time. Many of these women traveling in incognito, (Oshinobi Dochi), would carry a Higonokami knife in their sleeves for protection, and would ware large hats because of concerns for privacy.
Hiroshi's creative dolls of the subject are extremely rare, for which a few inspired pieces were made by his contemporaries and seen in additional interpretations of this doll. He beautifully details their elongated faces and long hair, which were common for ladies of this period, and they are typically wearing attire for travel: oversized hat and a heavy coat to ward off the chill. The doll is created of Paulownia and Cherry wood, of which some varieties of Paulownia vary in both color and texture thus giving pattern and depth to the garment and as seen in this version. And finally, the piece has beautifully rendered kimono at the top and bottom in full color with a cherry blossom motif. The piece has Hiroshi Kato’s large white graphic signature on the bottom of the doll.
Condition: Excellent and exceptional rendition and condition exhibiting an aged patination and meticulous care. There are no missing elements, no scratches or imperfections related to daily use with all detailed elements intact. The object retains the original craftsmanship, meeting the standards of the collector of Japanese Sosaku Kokeshi.
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Artisan | Woodworker: Kato, Hiroshi | Active only in the 1960s
Biographical History:
As collectors, we felt it was most important to represent all Sosaku Kokeshi artists, whether or not each artist has a written account of his/her life. We show the diversity of cultural values and the creative work produced by a multitude of artists. As a valued customer, Kokeshi collector noted, “Kokeshi collecting is a personal journey in this everlasting realm of Japanese esthetics”. DF
In researching old writings through articles and books that remain, it is evident that the Kokeshi Craftsperson not only created beautiful forms as toys, but also kept alive cultural values, customs, and fashion through the extensive representations of Kokeshi dolls. The beauty is in the doll and not the signatures, for most masters never signed their dolls. Later they named the dolls, but only when Westerners insisted on signatures because they did not know the artists, so the carvers began to sign their works, for the carvers wanted to promote sales to make a living, during the seasons that did not provide an environment to continue their otherwise daily work.
Kato-san’s slender and tall figures bring memories of very traditional women in Japan celebrated wearing a diversity of fashions. Nothing else has been written about this artist. As researchers and collectors, we felt it was most important to represent all Sosaku Kokeshi artists whether or not the artist has a written account of his or her life. Each shows the diversity of this cultural specialization and the creative work produced by this artist.
Collector's note – descriptive qualities, standard characteristics & ornamentation styles:
Kato-san’s slender and tall figures illustrate the changing seasons and unique characteristics of different types of fashion and daily dress, in several instances revealing the layers of the precious undergarment. He takes a rather contemporary approach to the ‘Mage” hair design in both form and sumi-e’ brushwork, suggesting features a stylistic details relating to the general design of the Kimono and the black and gold obi. His face is extremely expressive, with a tilting of the head adding an unusual aspect to one series of dolls. Typical are the scenes from nature, (flowers, mountains). Each doll celebrates the rich natural grain and color of the wood used with sinuous circular forms.
Hiroshi's stylized versions of Heian noblewomen, from families of high rank, were one of his favorite subjects. Women enjoyed a certain aspect of freedom during the period and were well-educated in music, poetry, art, fashion, and calligraphy, all part of a Heian Period woman's education.
Many of these women traveled incognito (Oshinobi Dochi), and Hiroshi's creative dolls of the subject are extremely rare. He beautifully details their elongated faces and long hair which were common for ladies of this period wearing travel attire: oversized hat and a heavy coat to ward off the chill.