Vintage Sosaku Kokeshi entitled: “Shourai | Future” by Tsujita, Ryozo
Dimensions: 10-0”h
Illustrated is an elegantly designed doll representing a young woman. It is finished in matte-black lacquer with candle wax, known as Rōsoku no rō. This doll has engraved, long, flowing unbound hair, known as Taregami. On the front bottom portion of the doll details of the inlay of silver pine trees, and spring wheat are used as the primary motif. The Kimono treatment makes this piece extremely unusual and the fact that is entirely black which is commonly associated with formality, and authority (power), and represents femininity and beauty. Black Kokeshi was created as an alternative for cherry blossom flowers, which were not available during winter months. There is an embossed inscription identifying the artist.
Condition: Mint condition exhibiting an aged patination and meticulous care. There are no missing elements, no scratches or imperfections related to daily use with all detailed elements intact. The object retains the original craftsmanship, meeting the standards of the collector of Japanese Sosaku Kokeshi.
Return Policy
Our antique/vintage pieces are identified/described and professionally photographed, and considered, “as is”, therefore all sales are final. Read our full refund and return policy.
Artisan | Woodworker: Tsujita, Ryozo | 1923-D
Origin:
Born in Odawara City, Tsujita-san was drafted into the military during WWII, and was held captive in a Siberian Labor Camp in the Soviet Union until sometime in the late 1950s. Attempting to recover his lost youth, perhaps, Ryozo began making Sosaku dolls in 1961 in his hometown of Odawara, where he resided until his death. A multi-award winner, he won the coveted Prime Minister’s Award in 1981. His is one of fifty, (50), local Sosaku artists featured in a small museum in nearby Hakone.
Collector's note – descriptive qualities, standard characteristics & ornamentation styles:
Many of his pieces are differently treated, with the natural contrasting head, and the natural grooved and stained body. He illustrates obi, inset into the doll with a hemp motif, (In early times, “asa” was an important source of cloth, and hemp leaves themselves formed the basis of a variety of hemp patterns). History tells us that the ‘God of Hemp’ is revered at Oasahiko Shrine in Tokushima. He additionally renders spring with cherry blossoms, wheat, trees, and stars to give character to his dolls. He seems to enjoy the rendering of long flowing unbound hair, (taregami) and details such as the inlay of silver motifs on the body.
And finally it is unusual to see a doll made of three bulbous forms that compose the body and head, utilizing different woods to express the desired detail.