“Aka Keshi Sunset | Red Poppy”
Dimensions: 14-1/2”h
The lacquerwork is exceptionally executed in strips of red and gold to abstractly express the red poppy on the body of the piece. Traditional Hashime details the face with his standard expressive eyes, hair and red button nose. The piece is singed with impression and identification on the bottom of the piece.
Vintage Condition: “as is” with some scattered light wear or stain that does not affect the design, and retains the original craft/workmanship. Any discoloration, chipping/cracking, surface wear or structural damage noted.
Return Policy
Our antique/vintage pieces are identified/described and professionally photographed, and considered, “as is”, therefore all sales are final. Read our full refund and return policy.
Artisan | Woodworker: Takahashi, Hajime | 1918-2002
Biographical History:
Takahashi Hajime was originally a fine artist/painter. He is known for his colorful designs and the use of brush strokes. Takahashi-san is from Sendai, (where Traditional Kokeshi were born), in Miyagi Prefecture. His artistic background also includes time spent as a craftsman of Yuzen silk kimono dying which is why Kimono is a focus on all of his dolls. He is a multiple award winner in yearly Kokeshi competitions, receiving the Prime Minister’s Award, the highest honor bestowed on Sosaku Kokeshi artists. All of his work is easily recognized producing unique forms and details. Now deceased, his son, Akinori is carrying on the family’s tradition, but in limited production.
Collector's note – descriptive qualities, standard characteristics & ornamentation styles:
The most unusual quality of his dolls is that their heads are treated as a separate element which in many cases are a simple tapered element between the head and the body of the doll. The artist motif‘s range from realistic seasonal flowers such as abstract Plum flowers, (Ume), Cherry blossoms, (Sakura), and Japanese Iris, (Ayame), or celebrating zodiac figures representing one of twelve specific constellations of the zodiac, which over time took on diverse meanings. Takahashi-san has a beautiful pictorial approach to illustrating kimono in a very refined painterly way. He shows both painted and carved Kimono, Obi with exaggerated waists and supportive under and over garments such as scarves and sashes. His use of Rokuro Moyo is occasionally seen in carved and painted forms. Last but not least, are the detailing of faces, all having expressive eyes, small dot noses and wisps of hair. His use of Rokuro Moyo is occasionally seen in both carved and painted forms.