“Tanabata | Star Festival”
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Dimensions: 9-3/4” h
The Tanabata is a Japanese tradition wherein people write their wishes on tanzaku papers, (colorful, small strips of papers), and hang them on bamboo and tree branches as illustrated in the first doll. Takahashi-san celebrates this yearly celebration by incorporating festival elements on the body of this Kokeshi. The face is typically that of Akinori in which the hairstyle and bangs are accented with red bows. The piece is signed and stamped on the bottom of the doll.
Vintage Condition: “as is” with some scattered light wear or stain that does not affect the design, and retains the original craft/workmanship. Any discoloration, chipping/cracking, surface wear or structural damage noted.
Return Policy
Our antique/vintage pieces are identified/described and professionally photographed, and considered, “as is”, therefore all sales are final. Read our full refund and return policy.
Artisan | Woodworker: Takahashi, Akinori | 1957-
Biographical History:
Born in Miyagi prefecture, Sendai City, Japan, he is the son of Takahashi, Hashime, and is a winner of two awards: 2004 and 2005, at the Contemporary Kokeshi Exhibition. He is an accomplished artist and has only created a few Kokeshi in honor of his father.
As collectors, we felt it was most important to represent all Sosaku Kokeshi artists, whether or not each artist has a written account of his/her life. We show the diversity of cultural values and the creative work produced by a multitude of artists. As a valued customer, Kokeshi collector noted, “Kokeshi collecting is a personal journey in this everlasting realm of Japanese esthetics”. DF
In researching old writings through articles and books that remain, it is evident that the Kokeshi Craftsperson not only created beautiful forms as toys, but also kept alive cultural values, customs, and fashion through the extensive representations of Kokeshi dolls. The beauty is in the doll and not the signatures, for most masters never signed their dolls. Later they named the dolls, but only when Westerners insisted on signatures because they did not know the artists, so the carvers began to sign their works, for the carvers wanted to promote sales to make a living, during the seasons that did not provide an environment to continue their otherwise daily work.
Collector's note – descriptive qualities, standard characteristics & ornamentation styles:
In many respects Akinori follows the aesthetic of his father in both form and ornamentation. However, his production is limited and most of the pieces he has produced focus on the Tanabata festival, which is a Japanese tradition wherein people write their wishes on tanzaku papers, (colorful, small strips of papers), and hang them on bamboo and tree branches as illustrated in his dolls. He also employs cherry, (body painted red) and plum blossoms, (body painted blue) to celebrate the season. He primarily works in dogwood.