Vintage Tougatta Traditional Kokeshi by Yonamoto, Minoru
Dimensions: 7-1/4” h
Descriptive Qualities: Each family craftsman attempted to show creativity, while following strict family doll standards. This kokeshi shows a descendants attempt to personalize his work by adding loose rings carved from one piece of lathe- turned wood. The doll incorporates red, green and purple radial designs as well as a Chrysanthemum on the base. The head of the doll called, (tegara ), is composed of a circle of flowers and bangs. The head is quite large with a slender body, making it easier for children to grasp when they were first used as toys. She has long, narrow, crescent-shaped eyes with both the upper and lower eyelids. Her nose is shaped like two pine needles, (Ware-Bana / split nose), and a red dot suggesting her mouth. The doll is signed on the bottom by the artist.
Vintage Condition: Excellent, (“as is”) and retains the original craft/workmanship, and commensurate with age. Any discoloration, chipping/cracking, surface wear, or structural damage is noted.
Japanese Traditional Kokeshi
Tougatta-Kei (Family)
Prefecture: Miyagi
Origin:
Tougatta dolls are considered the oldest family members of the Traditional school. They originated in the Tougatta Onsen in the Miyagi Prefecture and were subsequently produced at Aone Onsen and the cities of Sendai and Izumi. In the 1960s, Togatta craftsmen founded the Tougatta Kiji Union, a cooperative that gained the rights for reserved wood use from the Japanese Ministry of Forestry. Collectors easily find the Tougatta style in an interesting range of variations.
Collector's note – characteristics/painting style:
Tougatta dolls are easily recognized by their narrow, columnar body shapes, tapering at the shoulders, to a head that is wider than the rest of the doll, and more angular than round. The head is a squeeze-in type, and it is covered with a painting of a chrysanthemum. Most Tougatta dolls have split bangs (Hachi), with side fringes, crescent-shaped double-lidded eyes (many of which have arched brows), and a split nose or cat-type nose. Several have paintings of chrysanthemums (Kiku), plums (Ume), and irises (Ayame), usually in very stylized designs. The dolls decorated with plum branches and blossoms are associated with Aone Onsen. There is also a group that has ‘banded’ bodies primarily in red with some green. These are decorated in a circular-style painting known as Rokoru Moyo, which is done as the doll is turned on the lathe. The most collectible type is the Tougatta Mokuma style, in which the body or kimono is intricately painted with a detailed and variable wood grain pattern.
NOTE: The rare Tougatta Yamiyo dolls are created with loose rings circling the waists. Carved from the same wood as the body- it is a very meticulous method! It is also seen on Yajirou and Tsuchiyu dolls, though just as rare.
Leading Craftsmen:
Agatsuma, Shozo, 1932- No additional published information
Saito, Ryosuke, 1925-2015 - No additional published information
Sato Fumio, 1923-1986. Lineage: Tougatta lineage Master: Sato Bunsuke Disciples: Sato Hidehiro / Kobayashi Sadao / Ohata Hideo. Born in Togatta-Shinchi as the eldest son of Sato Ushizo and Tamayo, woodworkers in Togatta-Shinchi. He trained in woodworking under Sato Bunsuke. In 1940 Sato-san learned how to turn kokeshi dolls and toys. Fumio was said to have both the Bunsuke and Ushizo characters inside him and was always caught in a conflict between his two mentors from the Tougatta and Hijiori families.
Sato, Bunkichi, 1922-2008 - No additional published information
Sato, Kouichi - No additional published information
Sato, Masairo, 1938- No additional published information
Sato, Nirio, 1948, (Tougatta, Miyagi) - Master: Sato, Teruo
Sato, Teruo, 1919 - (Tougatta) -Master: Sato Seisuke
Sato, Tomio - No additional published information
Sato, Yoshiaki, (Tougatta, Miyagi) - Master: Sato, Teruo
Sato, Ushizo , Master - (Tougatta, Miyagi Spa)
Nagao, Masayoshi, 1931-2001, (Sendai, Miyagi) - Master: Sato, Mamoru
Wagamatsu, Yoshio, 1932 (Aone, Miyagi) - Master: Wagatsuma, Kichisuke
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