


Vintage Japanese Tougatta-kei Hand-Carved Wood Whistle by Kamata, Bunich
Dimensions: 4-3/4”l x 1-5/8”dia.
Offered is a lathe-turned Whistle that has a bulbous form and beautiful decorated in the Tougatta fashion. Here one sees the use of Rokoru mono style of decoration using vertical stripes banding the body and base of the whistle using the standard colors of red and green, for both the line work as well as the surface decoration simulating chrysanthemum leaves and pine branches. Its’ bulbous body is the sound chamber, (the size of the chamber indicates the pitch of the sound), and the mouthpiece has an extended and well proportioned surface to rest the lips and mouth to facilitates the sound. The neck of the whistle has a notch or opening for air to flow through to make sound.
Condition: Excellent with some indication of wear but remains a natural well crafted piece of mingei. No chips, cracks, breaks, missing pieces or restoration, and retains its original details and finish. The piece meets all the standards of the collectible Toys.

Japanese Traditional Kokeshi
Tougatta-Kei (Family)
Prefecture: Miyagi
Origin:
Tougatta dolls are considered the oldest family members of the Traditional school. They originated in the Tougatta Onsen in the Miyagi Prefecture and were subsequently produced at Aone Onsen and the cities of Sendai and Izumi. In the 1960s, Togatta craftsmen founded the Tougatta Kiji Union, a cooperative that gained the rights for reserved wood use from the Japanese Ministry of Forestry. Collectors easily find the Tougatta style in an interesting range of variations.
Collector's note – characteristics/painting style:
Tougatta dolls are easily recognized by their narrow, columnar body shapes, tapering at the shoulders, to a head that is wider than the rest of the doll, and more angular than round. The head is a squeeze-in type, and it is covered with a painting of a chrysanthemum. Most Tougatta dolls have split bangs (Hachi), with side fringes, crescent-shaped double-lidded eyes (many of which have arched brows), and a split nose or cat-type nose. Several have paintings of chrysanthemums (Kiku), plums (Ume), and irises (Ayame), usually in very stylized designs. The dolls decorated with plum branches and blossoms are associated with Aone Onsen. There is also a group that has ‘banded’ bodies primarily in red with some green. These are decorated in a circular-style painting known as Rokoru Moyo, which is done as the doll is turned on the lathe. The most collectible type is the Tougatta Mokuma style, in which the body or kimono is intricately painted with a detailed and variable wood grain pattern.
NOTE: The rare Tougatta Yamiyo dolls are created with loose rings circling the waists. Carved from the same wood as the body- it is a very meticulous method! It is also seen on Yajirou and Tsuchiyu dolls, though just as rare.

Leading Craftsmen:
Agatsuma, Shozo, 1932- No additional published information
Saito, Ryosuke, 1925-2015 - No additional published information
Sato Fumio, 1923-1986. Lineage: Tougatta lineage Master: Sato Bunsuke Disciples: Sato Hidehiro / Kobayashi Sadao / Ohata Hideo. Born in Togatta-Shinchi as the eldest son of Sato Ushizo and Tamayo, woodworkers in Togatta-Shinchi. He trained in woodworking under Sato Bunsuke. In 1940 Sato-san learned how to turn kokeshi dolls and toys. Fumio was said to have both the Bunsuke and Ushizo characters inside him and was always caught in a conflict between his two mentors from the Tougatta and Hijiori families.
Sato, Bunkichi, 1922-2008 - No additional published information
Sato, Kouichi - No additional published information
Sato, Masairo, 1938- No additional published information
Sato, Nirio, 1948, (Tougatta, Miyagi) - Master: Sato, Teruo
Sato, Teruo, 1919 - (Tougatta) -Master: Sato Seisuke
Sato, Tomio - No additional published information
Sato, Yoshiaki, (Tougatta, Miyagi) - Master: Sato, Teruo
Sato, Ushizo , Master - (Tougatta, Miyagi Spa)
Nagao, Masayoshi, 1931-2001, (Sendai, Miyagi) - Master: Sato, Mamoru
Wagamatsu, Yoshio, 1932 (Aone, Miyagi) - Master: Wagatsuma, Kichisuke
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